Excitingly, I have work in a couple of most excellent events this weekend. Disappointingly, I won’t be present at either one….

First off tomorrow (Fri) evening, one (or possibly two) of my pieces are among around 25 slideshows being shown in Life.Still, part of the Bristol Festival of Photography. I know Young Carers Revolution is on the schedule and there’s a chance Zen and the art of Sandcastles could turn up as well. I’m not 100% sure. If you’re based in Bristol please go and have a beer for me….more info at the link above.

Secondly, a set of my Appleby Horse Fair images are being shown at Blow-Up Bombay, a street-art photography exhibition organised by the fantastic blindboys crew on Saturday. Over the past six months, blindboys has organised blow-ups in Bangalore, Paris and Delhi, displaying works from over 25 photographers and 2,500 pictures. On Saturday they take on India’s economic powerhouse Mumbai. I LOVE the idea of this – taking a really diverse group of photographers’ work to the streets and putting it in front of people who wouldn’t normally see it. I just wish I could be there……

As The Times of India puts it:

….In this Bollywood backyard, strewn with papier mâché Greco-Roman pillars and other discarded props that once featured in celluloid dreams, two photographers will set foot on Saturday, armed with cellotape and photographs printed on cheap paper. Together, they will embellish the tattered walls with not just their own works but also those of both established and amateur photographers received over the past few months. Works which, just like the roofless house, are constantly threatened by the oblivion of abandonment.

….The second Blow Up in Delhi’s busiest centre, Connaught Place, which saw about 50,000 visitors in a day and over 30 photographers, also surprised the duo with varied feedback. Cops stared and went their way, a passerby told Mahajan that his work on the melancholic youth of Kashmir reminded him of his own strifefilled days in Jharkhand, beggars tore off some pictures and used them as wallpaper and a paani puri wallah played art guide to some curious onlookers. “It’s this kind of direct connect with art and public space that we are looking to achieve,’’ says Mahajan, adding that most of the pictures disappear on their own by the third or fourth day.