I took Zaneta and Jiri, Andrea and Roman – ie some of the stars of my Middlesbrough project – to Side Gallery to see the work on the walls, and they loved it. The only downer was being invited to photograph her sister giving birth last night, only for her to be sent away from the hospital for not being sufficiently in labour…with the midwife saying it could take another few days. I had an appointment in Manchester first thing this morning so took the executive decision that I had to drive home.. and of course sod’s law meant she ended up having it first thing this morning. To be invited to something so intimate and then to muck it up.. I think I’ll always regret that photo I didn’t take. Arghh!
It’s no exaggeration to say that Saturday was the best day of my professional life so far. Thanks to everyone who made the effort to join us, and hope other friends will get a chance to see the show if they are in Newcastle between now and 21 Dec. I am utterly buzzing. Thanks so much to the folks at Side for giving me this wonderful opportunity, for all their support and for making the show look so brilliant. And the biggest thanks of all go to Zaneta and her lovely family for being themselves and allowing a nosy stranger and her camera into their personal lives.
To see the full edit of the work on show at Side Gallery, click here
I have a lovely big feature on Roma migration in this month’s Al Jazeera magazine, which is available free of charge as an app for the iPad and iPhone from here. It was great to be given so much space to cover the issues and I think they’ve done a lovely job with the design. The whole magazine is really strong, definitely worth spending some time with.
For those without access to a tablet I’ve uploaded a PDF, which you can download by clicking on the page below.
The prints are done, the texts are written and a title has finally been found. The title, Stay where there are songs, is borrowed from a Romani saying. The show opens four weeks today, Oct 19th, in Newcastle. More info here
I’ve posted a new Roma Project story (on Anna from Hungary) and blogpost about the collaborative process over here and here. Please check it out – she’s amazing.
How many photographers let the subjects of their photos have a go at editing, I wonder? It’s something I thought about doing during my MA – I had some ideas of how it might work but never quite got around to it. Maybe I’ll find a way to experiment with this properly a later date – it would certainly produce a more collaborative result.
This week though I had an accidental crack at it, when I helped Ramona prepare a talk she’s going to be giving to Roma teenagers at a school. I took my laptop to her house and we went through my Lightroom catalogue which contains every shot – my work, their family photos and some of their mobile phone or Facebook pictures – in the now two-and-a-half year old project.
But whereas last time I only really showed her my picks and she selected from them – this time she got free reign over every folder, including all the many dud shots. She selected the 22 or so that she wanted and then I opened them in Bridge, where she told me the sequence she wanted. At this point I thought it might be worth recording some of this, and so shot some shaky video on my phone.
Her choices were interesting to me because they weren’t what I would have chosen – many, to me, are weak visually, or at least weaker than the versions that I have used until now, and a couple of them are her own shots from her phone. But of course she’s looking at them with a different intention – constructing her edit of her life as she wants to show it in a motivational talk.
