#levylockdownzine

Levy Lockdown Project is a collaborative, hyperlocal effort to document and make sense of the strange period of global history we are living through.
As the UK entered its third national lockdown in January 2021, I invited people living in Levenshulme to share their images and thoughts about the Covid-19 pandemic and its impact on them. This 64-page zine features the work of 36 contributors.

This is the first output for my Peshkar commission for a socially engaged photography project, which I was awarded in early 2020 – before the pandemic took hold. I initially gave art boxes to six local women and then opened the project up wider to anyone who wanted to join, via a Facebook group and Instagram hashtag. When I started working on the zine I put out an open call, and some contributors came forward who hadn’t been part of the project until that point.

Next step is to build a little website for the work as there is a lot more than made it into the zine. It’s been a good little learning project and I’m proud of the zine – it looks ace. Copies are available to buy from here.

 

Big Brother House

When Covid-19 hit and schools closed in March 2020, it was a huge upheaval in all our lives – but particularly in the lives of young children. Over the following year – during which we had two national periods of homeschooling (plus another nine-day stint when one of our school bubbles was told to self isolate) – I  watched my sons carefully and tried to capture some of the madness from their point of view.

Locked down

What a bizarre few weeks. We’re now 30 days into official lockdown in the UK, and it feels to me like some of the paralysis of the initial days of Covid-19 has started to loosen. I’m still working as a journalist – working at snail’s pace on a number of features for Big Issue North which for the large part have nothing to do with the pandemic – and am starting to get the sense that many people are getting into a groove with this strange new normal. People I contact are responding fairly promptly for the first time in weeks. My own work pace is glacial but things are slowly getting done.

One of the ways I’ve been responding to this weirdness is to pick up my camera. Ironically I’ve found the past month an easier time than normal to be creative – despite having a three year old and a five year old in tow most of the time. I’ve been photographing the lockdown on a daily basis from their perspective. Something that has always felt uncomfortably self-indulgent to me – sharing photos of my kids and our own daily life – suddenly feels more legitimate, perhaps due to some odd journalistic psychology thing because it’s now framed within ‘a story’. Make of that what you will. These daily vignettes – which I’ve dubbed “Big Brother House” can be seen on my Instagram page.

The other way I’m documenting the lockdown is through window portraits of people living in my neighbourhood of Levenshulme. Lots of photographers are doing similar work at the moment but I love the way the glass provides a beautifully surreal visual metaphor for our current social distancing requirements. The participants have to come close to the window to make use of the light. I’m often closer to them than the permitted two metres but they’re behind glass so it’s fine. I’m making most of these during my daily outing with my kids so I have to be quick – more than three minutes and they’re bored. Some of them are on my Instagram and the full album can be seen on Facebook for the time being. This will be updated as I add more…

Stay well.